{"id":3478,"date":"2020-09-20T11:20:24","date_gmt":"2020-09-20T09:20:24","guid":{"rendered":"https:\/\/www.adictosaljetlag.com\/?p=3478"},"modified":"2020-10-24T21:44:15","modified_gmt":"2020-10-24T19:44:15","slug":"nuestro-top-de-la-68ssiff","status":"publish","type":"post","link":"https:\/\/www.adictosaljetlag.com\/index.php\/2020\/09\/20\/nuestro-top-de-la-68ssiff\/","title":{"rendered":"Nuestro voto al minuto de la 68SSIFF"},"content":{"rendered":"\n

Como todos los a\u00f1os, dedicaremos un post para ir actualizando d\u00eda a d\u00eda nuestro ranking de pel\u00edculas vistas en el festival, con independencia de la secci\u00f3n en la que participan. Pero a diferencia de los anteriores, este a\u00f1o nos costaba much\u00edsimo establecer un listado ordenado, por lo que hemos tomado prestado el t\u00edtulo de la subcampeona en el Festival de Berl\u00edn (que tambi\u00e9n participaba aqu\u00ed en la Secci\u00f3n Perlas) para agrupar las pel\u00edculas (sin especial orden) en categor\u00edas, respondiendo a la pregunta “\u00bfcu\u00e1ndo recomendar\u00edamos esta pel\u00edcula?”<\/em>…
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… Always<\/h2>
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\"poster<\/div>\r\n\t
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\r\n\t\t\tSupernova<\/span> \r\n\t\t\t(Harry Macqueen, 2020, Reino Unido)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tDruk<\/span> \r\n\t\t\t(Thomas Vinterberg, 2020, Dinamarca)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial (Toronto 2020; Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tUn efecto \u00f3ptico<\/span> \r\n\t\t\t(Juan Cavestany, 2020, Espa\u00f1a)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Zabaltegui-Tabakalera<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tWuhai<\/span> \r\n\t\t\t(Zhou Ziyang, 2020, China)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tAntidisturbios<\/span> \r\n\t\t\t(Rodrigo Sorogoyen, Isabel Pe\u00f1a, Borja Soler, 2020, Espa\u00f1a)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial Fuera de Concurso<\/p>\n<\/div>\r\n\t\t\r\n\t\t

<\/div>\r\n\t<\/div>\r\n<\/div><\/p>\n\n\n\n

… Sometimes<\/h2><\/p>\n\n\n\n
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\"poster<\/div>\r\n\t
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\r\n\t\t\tThe Father<\/span> \r\n\t\t\t(Florian Zeller, 2020, Reino Unido)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Sundance 2020; Toronto 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tNuevo orden<\/span> \r\n\t\t\t(Michel Franco, 2020, M\u00e9xico)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Le\u00f3n de Plata Venecia 2020; Toronto 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tFalling<\/span> \r\n\t\t\t(Viggo Mortensen, 2020, Canad\u00e1)<\/span>\r\n\t\t<\/div>\r\n\t\t

Proyecci\u00f3n Especial Premio Donostia (Sundance 2020; Toronto 2020; Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tThe World to Come<\/span> \r\n\t\t\t(Mona Fastvold, 2020, Estados Unidos)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak Fuera de Concurso (Venecia 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\t\u00c9t\u00e9 85<\/span> \r\n\t\t\t(Fran\u00e7ois Ozon, 2020, Francia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial (Toronto 2020; Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tNever Rarely Sometimes Always<\/span> \r\n\t\t\t(Eliza Hittman, 2020, Estados Unidos)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Oso de Plata Berl\u00edn 2020; Premio Especial del Jurado Sundance 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tHerself<\/span> \r\n\t\t\t(Phyllida Lloyd, 2020, Irlanda)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Sundance 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

<\/div>\r\n\t<\/div>\r\n<\/div>\n\n\n\n

… Rarely<\/h2><\/p>\n\n\n\n
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\"poster<\/div>\r\n\t
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\r\n\t\t\tNomadland<\/span> \r\n\t\t\t(Chlo\u00e9 Zhao, 2020, Estados Unidos)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Le\u00f3n de Oro Venecia 2020; Premio del P\u00fablico Toronto 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tAne<\/span> \r\n\t\t\t(David P. Sa\u00f1udo, 2020, Espa\u00f1a)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n New Directors<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tAny Crybabies Around?<\/span> \r\n\t\t\t(Takuma Sat\u00f4, 2020, Jap\u00f3n)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tADN<\/span> \r\n\t\t\t(Ma\u00efwenn, 2020, Francia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Deau\u00adville 2020; Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tAkelarre<\/span> \r\n\t\t\t(Pablo Ag\u00fcero, 2020, Espa\u00f1a)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tPassion Simple<\/span> \r\n\t\t\t(Danielle Arbid, 2020, Francia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial (Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tEl olvido que seremos<\/span> \r\n\t\t\t(Fernando Trueba, 2020, Colombia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial Fuera de Concurso (Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tSin se\u00f1as particulares<\/span> \r\n\t\t\t(Fernanda Valadez, 2020, M\u00e9xico)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Horizontes Latinos (Premio del P\u00fablico Sundance 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tCrock of Gold: A Few Rounds with Shane MacGowan<\/span> \r\n\t\t\t(Julien Temple, 2020, Reino Unido)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tEl agente topo<\/span> \r\n\t\t\t(Maite Alberdi, 2020, Chile)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Sundance 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tMiss Marx<\/span> \r\n\t\t\t(Susanna Nicchiarelli, 2020, Italia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Venecia 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tWife of a spy<\/span> \r\n\t\t\t(Kiyoshi Kurosawa, 2020, Jap\u00f3n)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Venecia 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

<\/div>\r\n\t<\/div>\r\n<\/div>\n\n\n\n

… Never<\/h2><\/p>\n\n\n\n
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\"poster<\/div>\r\n\t
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\r\n\t\t\tThe Woman Who Ran<\/span> \r\n\t\t\t(Hong Sang-soo, 2020, Corea del Sur)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Zabaltegui-Tabakalera (Berl\u00edn 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tChupacabra<\/span> \r\n\t\t\t(Grigory Kolomytsev, 2020, Rusia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n New Directors<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tDasatskisi (Beginning)<\/span> \r\n\t\t\t(Dea Kulumbegashvili, 2020, Georgia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial (Premio FIPRESCI Toronto 2020; Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tNosotros nunca moriremos<\/span> \r\n\t\t\t(Eduardo Crespo, 2020, Argentina)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tGull<\/span> \r\n\t\t\t(Kim Mi-jo, 2020, Corea del Sur)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n New Directors<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tIn the dusk<\/span> \r\n\t\t\t(\u0160ar\u016bnas Bartas, 2019, Lituania)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Oficial (Selecci\u00f3n Oficial Cannes 2020, cancelado por COVID-19)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\r\n\t\t\tNam-mae-wui Yeo-reum-bam<\/span> \r\n\t\t\t(Yoon Dan-bi, 2020, Corea del Sur)<\/span>\r\n\t\t<\/div>\r\n\t\t

Secci\u00f3n Perlak (Festival de Busan, Premio Bright Future Festival de Rotterdam)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

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\"poster<\/div>\r\n\t
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\r\n\t\t\tSportin’ Life<\/span> \r\n\t\t\t(Abel Ferrara, 2020, Francia)<\/span>\r\n\t\t<\/div>\r\n\t\t

Pel\u00edcula Sorpresa (Venecia 2020)<\/p>\n<\/div>\r\n\t\t\r\n\t\t

<\/div>\r\n\t<\/div>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Como todos los a\u00f1os, dedicaremos un post para ir actualizando d\u00eda a d\u00eda nuestro ranking de pel\u00edculas vistas en el festival, con independencia de la secci\u00f3n en la que participan. 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